Dona Zoca

Dona Zoca

 

Once upon a time, on a quiet farm in the countryside of Brazil, where the wind smelled like grass and the sunlight felt like it would never end, there lived a little girl who spent her school vacations in a world that only existed for those who still believed in wonder. Everything there pulsed with color. The sky stretched out in a flat, brilliant blue. The morning grass held a shimmering coat of dew. The scent of ripe fruit seemed to live in the walls and linger in the corners.

At the heart of this enchanted world was a woman named Dona Zoca.

She wasn’t the kind of grandmother found in fairy tales. She didn’t wear aprons or bake cakes. She didn’t fill rooms with hugs or soften her voice with sugar. She was sharp, honest, and never held her tongue. But still, to the little girl, her presence felt like magic. Perhaps it was the way she moved through the house as though every floorboard whispered its secrets only to her. Or maybe it was the certainty in her posture, the quiet belief that everything around her existed in the order she commanded.

For the grandchildren, there was one gesture that felt sacred. During afternoon coffee, when everyone gathered around the table, she would take her small silver spoon, dip it into the sugar jar, and offer a full scoop straight into the mouth of one lucky child. The adults always objected. It was too much, too sweet, too soon. But for the children, it was a blessing. A forbidden gift. A moment of pure rebellion that felt entirely safe.

The girl waited for it with the kind of anticipation others reserve for miracles. And when it came, when she was the chosen one, it felt like a medal had been pinned to her invisible chest. The sugar melted quickly on her tongue, but the gesture lingered far longer. Because even though Zoca rarely spoke in kindness, even though affection never sat on the surface of her words, that spoonful was her way of saying something quietly powerful: I see you. I am here.

Yet the most magical moment of all came only once a year. It was the day Dona Zoca decided to step into the pool.

She had a skin condition that kept her out of direct sunlight, so whenever she appeared dressed head to toe in a tight black suit that looked almost like it belonged to a deep-sea diver, the children knew something extraordinary was about to happen. The outfit alone was enough to set their hearts racing.

“She’s going in! Grandma’s diving in!” they cried, wide-eyed and breathless. To them, it was like witnessing a shooting star streak across the afternoon sky.

Zoca entered the water with careful steps. Each movement was deliberate, as if she were facing an invisible challenge only she could understand. A quick smile crossed her face, hesitant and brief. Then she dove in, a single, swift motion. Not dramatic. Just enough to turn the moment into something unforgettable.

The girl watched in silence, eyes wide and steady. She thought of how this woman, so rarely tender, so often guarded, was now swimming beside them. And for those few minutes, it felt like her armor had slipped, just enough for her heart to come out and laugh.

On those days, the world tilted ever so slightly. The pool became a kingdom. Grown-ups seemed smaller. Time softened and stretched like warm taffy. Summer tasted like buttered bread and sounded like flip-flops on sunbaked tile. Everything smelled of wet towels and warm air. Most of all, there was the certainty that Zoca existed in full color, real and unforgettable.

When the days returned to normal, so did she, her quiet authority, her short replies, her silent throne. But the memory of that single afternoon stayed inside the girl like a spark. And something else remained, even stronger: the knowing that even those who struggle to show love can, now and then, become nothing but love.

It was during those luminous summers that the girl began weaving a quiet bond with the woman she would one day call friend, then confidante, and eventually something deeper. But for now, beneath the wide sky of the farm, she was simply this: the mysterious grandmother who once slipped into the pool and placed a spoonful of sugar on her tongue.

The years passed quietly, the way summer clouds drift across the sky, beautiful, fleeting, impossible to hold. Childhood faded, along with the rituals of vacations on the farm. At eleven, the girl moved to Florianópolis. She packed her bags with clothes and memories that smelled like sun and tasted like sugar. The image of her grandmother in the water stayed with her, folded like a photograph in her chest.

From that time on, Zoca became a December presence, the grandmother of Christmas. Those visits were short. The scent of panettone filled the house, and the clock always seemed too fast. The girl, now older, looked at her grandmother from a new distance. Affection still lived between them, but it was quieter now. Like a gift wrapped in ribbon that no one ever untied. The connection held strong, but remained distant. They knew each other, but did not yet understand each other.

Then everything began to shift.

At twenty-two, fresh out of college and filled with questions about life and purpose, she decided to return to São Paulo. She wanted to pursue more studies, carve out a space for herself in the world. But she needed something first, a place to stay, a place to begin.

She thought of Zoca. She called. She asked gently. And from the other end of the line came a simple answer. “Of course. I’d love to have you here.”

That small permission changed everything.

She walked through her grandmother’s door like someone returning to a paused story. They had never lived under the same roof before. This was the beginning. Of what, neither of them fully knew. But in that unspoken space, a new kind of promise was made. Maybe what had been far away for so long could now find its way home.

Living together is something learned slowly. For two women who had spent so much time apart, the beginning was filled with quiet observation and unspoken grace.

Without planning, they built rituals. First came the afternoon coffee. Not the rushed morning kind, but the slow sips that made time feel wider. They began to explore cafés and tea shops together, finding corners of the city that felt like theirs alone. The outings were an excuse, a way to talk without naming feelings, to bond without unpacking every emotion.

Then came museums, antique stores, and art exhibits. Strange choices for a young woman in love with technology and an older woman with few words. Yet somehow, it worked. What began as practical coexistence slowly became shared affection.

One afternoon, on the way home from one of their walks, Zoca turned to her and said, “You know you can tell me anything, right?”

It wasn’t a question. It was a doorway.

That same week, the girl’s heart broke quietly. A relationship ended. She came home, dropped her bag, and tried to act like the pieces weren’t scattered inside her. But Zoca noticed.

“Sit with me,” she said. “Tell me, or don’t. I’ll just sit here and keep you company.”

It was the first time she offered her lap. No pillows. No lullabies. Just presence. From that moment on, something shifted.

The seasons moved slowly, but with intention. Their days filled with shared rituals and steady companionship. Then came the changes. Little things at first, forgotten names, repeated questions, a familiar room suddenly unfamiliar.

At first, it felt like distraction. Later, it revealed its name.

Alzheimer’s.

The word settled between them like a guest who never planned to leave. From that moment, the girl became the anchor. She held the days in place. She remembered for both of them.

Then came the seizures. Unpredictable, sudden. Each time, the same rhythm: her grandmother’s small body, her arms wrapped tightly around it, silence, waiting. Then Zoca would rise again, as if life had only paused for a moment and carried on without noticing.

And the girl understood. Love is also the act of staying through someone else’s pause.

Life shaped itself around the illness, the medicine schedule, the repeated stories, the fatigue. The girl took care of it all. She became mother, daughter, nurse, and guardian. She broke silently and smiled through it. Love no longer fit inside a word. It became an action. The action held everything in place.

She mothered the woman who never called her daughter. Fed her. Guided her. Protected her. Zoca forgot many things, but she still accepted love. Affection was no longer about conversation. It was about constancy.

On good days, the sarcasm returned, her dry humor flickering like candlelight. On others, only silence. Still, the girl stayed. Because sometimes, love is simply not leaving.

The end came without warning.

Zoca faded slowly, not with drama but with distance. She still breathed. She was still there. But she was no longer the same.

And the girl stayed until the very last moment.

No farewell. No final phrase. Just presence. Just stillness. Just care.

When it was over, the house grew larger somehow. She sat in Zoca’s old chair, the one where her grandmother always rested. That corner of the room felt fuller than the rest, as though the cushions remembered every shared silence, every soft afternoon between them.

She looked around. The furniture hadn’t moved. The frames still lined the walls. Everything remained in place. Even the scent lingered, faint but familiar. It was almost like she was still there, a little quieter, a little farther, but not gone.

Because somewhere in those final years, they had grown so close that it was hard to tell where one ended and the other began. Now, alone in the room, the girl felt like she was learning how to exist again, with something essential missing.

She took a deep breath.

She tried to capture everything. The light on the window. The creak of the floor. The scent in the air. She wanted to keep it all. Fear hovered in her chest, whispering what if. What if she forgot the sound of her voice, the way she looked when she was about to laugh, the way she frowned when she was annoyed?

But now, years later, she knows.

Those memories never faded.

Zoca lives in the small things, in her daughter’s sharp, unfiltered way of speaking, in silences that feel full, in a patterned dress hanging in a store that Zoca would have adored. Her hand reaches out, almost grabbing it. For a second, she imagines bringing it home.

Then she remembers.

And that memory shines.

In that flicker, Zoca lives again.

What remains after goodbye is not emptiness, but love that stayed.

About Identity Echoes

Identity Echoes is a living, breathing storytelling project that honors the ever-shifting nature of being. It was born from the belief that identity is not a single, fixed point, but a fluid, evolving journey. We are not just one version of ourselves; we are layered, changing, echoing through time.

This story became part of Identity Echoes because it represents what the project holds at its heart: the moments when identity shifts quietly inside love, loss, and memory.

Through story, ritual, presence, and collective remembrance, Identity Echoes celebrates each transformation, each unraveling, and each return to self.

We do not ask, “Who are you?”
We ask, “Who have you been? Who are you becoming? And what echoes still live inside you?”

Being part of this project reminded me that storytelling is not just about being seen, it’s about seeing myself too. My journey wouldn’t be whole if I only shared it with others and didn’t also face it within. Writing this piece was my way of doing both. It’s how I chose to be true to myself and to those willing to listen.

In her quiet way, she taught me that love doesn’t always speak; sometimes it just stays.

(Read the version in Portuguese here )

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